I've just bought this lens to replace my 50mm f1.8 lens which fell apart after 6 years use. I was attracted by others' reviews and the compact design, fast aperture of 2.8 and the fact it's an EF lens so when I eventually upgrade to a full frame Canon, it will still be useful. I've been using it for best part of a week so far and I'm very pleased with it. It's great in low light, ultra compact and great build quality for the money. I paid £150 with p&p, and it's already come down 20 quid in price, but it's worth the extra 20 quid and more. The lens has more detail throughout the frame than my old 50mm f1.8 II Canon lens and I am now feel i should have gone straight to this lens in the first place. It gives me 64mm focal length on my 1.6 x cropped sensor of the 60D I use, which to be fair is perfect for group shots and portraits. I'm slightly more in the face of portrait subjects than with the 50mm, but the lens has a much smaller profile being a pancake design, so it hasn't yet seemed to intimidate any of my subjects. The focusing is quick and near silent. I've used the manual focus ring on the lens which is oddly, but cleverly electronic, so there is a fraction of a second delay, but it's still quicker than auto focus (depending on you of course and how quickly your eyes focus on the viewfinder). The build quality is excellent and it has a nice weighty feel in the hand, but feels perfectly balanced on the camera. Shots are sharp throughout the frame at all apertures that i have found, whereas the 50mm 1.8 could soften a little round the edges at f1.8 (but was ok from around f3.2 and above). I can see me using this lens for most shots now other than wide angle shots. It's not often i use zoom functions on my longer lenses, so this could be my 'walk around lens'. Each to their own i know, but i love it. The 50mm lens was a great lens, but unfortunately, the ease at which it appears to have broken (haven't a clue how it happened, because I didn't drop it or knock it) has put me off buying another. If I ever do go for another 50mm it will probably be the £1200 L series f1.2 when i eventually upgrade to a 5d III.....one day. Right now, that's far too expensive for me to justify as I'm not a pro (not yet anyway ;-)) Right now, this lens fulfils 90% of shooting requirements from a focal length point of view. Clever Canon. It's made in Malaysia, not Japan, which was my only slight apprehension when buying this lens, but I'm very pleased so far and the build quality is great as i said. If you don't quite want to stretch to £300ish for the f1.4 50mm and are, like me, now non-confident in the 50mm 1.8 II, this 40mm f2.8 EF is a great, economically in between alternative and i highly recommend it. By the way, I ordered it on a week day in the morning and had it by tea time the next day direct from Amazon.
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I must have watched over 10 YouTube videos on this lens, and read 20+ articles and reviews on websites before getting it. I'm not able to easily just buy lenses, as they cost ££££... The price seamed to good to be true, it's a real bargain, hence why I researched it thoroughly before buying it. My advice get it, it's sharper than most canon lenses, right into the corners. Even the 50mm 1.4 is not as sharp as this lens. UPDATE after a month Ok so first off when you buy this lens, one major thing to be aware of, it's quite commonly sold with an old version of the firmware. If the serial number on the lens is xx0, or xx1 even xx2 then you have the older firmware, e.g if the third digit on the serial number is less than 3 you need to update the firmware from the old 1.10. To the new 1.2.0 The reason for this is there is a fault with the lens, where it gets sort of jammed and won't focus if pressure is applied to the front of the lens or the focus ring. This problem is completely resolved in firmware version 1.2.0, if your Lens serial number is xx3, e.g the 3rd digit is a 3 or higher, the lens is a newer version and already has the update. I ordered my lens from amazon in 2013 and was a little surprised it had an older serial number xx2, and needed this firmware update to be done by myself. Ok so to update the firmware, you need a camera with the ability to update "lens" firmware, which only the eos 650D, the 700D and the 5D mark iii can do. I got lucky and a friend has the 700D, I put the firmware file on an SD card (available from canon website) took my lens and SD around to his house and updated my lenses firmware In what took a few seconds At most, I was not able to do this on my older canon 60D, so was lucky he had a more recently released camera. Right now that's out of the way, and please don't let the firmware put you off, you could pop into a camera shop and ask them to do this for you too, sure most palaces would help you use a display. Model of the 5D mark iiii to do it, Otherwise you will have to send it to canon, but that feels a bit like overkill, Sooooo back to the actual lens, it's truly my favourite lens, I hardly use my zooms, my 50mm f1.8 or kit lens.... This little 40mm f2.8 is just so sharp from corner to corner and has such little distortion or chromatic aberration that it quite simply gives me the best photos out of my camera iv ever taken. I love the 40mm it's superb on a crop sensor 60D, it makes the camera so light weight and small, compared to any other lens, that I removed the strap and camera bag, and carry my DSLR in my coat pocket, like its a bridge camera, which means I have my camera with me more often, and thus can take more street photography and pics of the kids. The lens enables you to use your DSLR is a more subtle, small camera way, I feel less self conscious using my camera In busy public places with this lens, and the beauty is it's taking superbly sharp photographs, better than some bigger lenses. So in summary, it's small, it makes your camera (especially a non heavy crop 60D) super handy and portable in your pocket, it takes crazily sharp beautiful photos, and costs less than 99% of the lenses canon make, it should cost more as the build quality and image quality are as good as the more expensive 50mm F1.4, which it actually out performs when both lenses are set to F2.8, it's far sharper!! Than the 50mm especially in the corners where the 50mm goes a bit soft. Yes it's not as great I'm low low light as an F1.8 or F1.4, but it's blumin close, and does create nice broker, So it's really a win win lens, seriously stop reading this, go buy it and love how your camera suddenly becomes a pocket camera, (largish pockets) that's super sharp, and less attention grabbing.
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Che dire di un piccolo grande obiettivo del quale è già stato scritto tutto? Che sia leggero, compatto, solido nonostante sia in plastica (con innesto a baionetta in metallo) lo si sa. Che la qualità ottica sia sorprendente sopratutto tenendo conto della dimensione ridotta delle lenti lo si sa. Che abbia come maggior difetto, sopratutto nelle "full frame" la vignettatura (compensata egregiamente in jpg sulla mia EOS 6D ed in RAW con un software adeguato) alle aperture massime lo si sa. Che f/2.8 non sia come f/2 piuttosto che f/1.4 lo si sa. Che l'STM non è silenziosissimo lo si sa come pure che non funzioni con la messa a fuoco continua in video sulle fotocamere non predisposte! Di certo è un obiettivo che su una "full frame" come la EOS 6D offre una trasportabilità estrema (e chi si porta sempre dietro la macchina fotografica come me apprezza molto) con una focale che si può definire ottimale per buona parte delle occasioni di scatto fornendo anche quel non so che di "sfida" che ci fa tornare indietro alla fotografia gloriosa del passato ove uno zoom era l'eccezione e non la regola. Bisogna saper fotografare anche così! Un grande plus è rappresentato dalla discrezione dell'obiettivo quando si fa "street photography". Personalmente ho notato che fare foto per strada è facilissimo con una compatta "Point & Shoot" e difficilissimo con una "full frame" con montato un minaccioso 24-105mm piuttosto che un 24-70mm. Questo obiettivo con la sua "faccia da giocattolo" rende una "full frame" più innocua agli occhi del soggetto inquadrato! Infine da notare anche la capacità macro dell'obiettivo che fa bene il suo mestiere sia da solo che con delle lenti addizionali (ho potuto recuperare le mie vecchie lenti col diametro di 52mm) che con i tubi di prolunga ... anzi, la lente frontale piccola mi riporta ai tempi in cui si montavano gli obiettivi capovolti per avere la lente posteriore più piccola in posizione frontale negli ingrandimenti più spinti! UPDATE - fatte escursioni fotografiche e prove sul campo.L'obiettivo fa delle ottime foto che sono definite come con un rasoio affilato. La vignettatura c'e' ma scompare al di sopra dell' f/4 e comunque a me non da fastidio. Usato in una giornata veramente pessima ho potuto fare ottime foto in B/N, mentre col sole ha dei colori molto buoni e brillanti. Si gioca molto bene con la profondità di campo alle aperture più veloci. In controluce non da riflessi troppo fastidiosi e pertanto il famoso paraluce che manca non rappresenta un problema. Usato in mezzo alla folla ha l'effetto sperato. La gente quasi non si accorge che si stanno facendo foto con loro come soggetti principali!
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Blackmagic kullanıcısıyım benim için çok iyi ve kullanışlı bir lens oldu ki zaten 50mm olsun 35mm olsun güzel ve kullanışlı açılardır. Crop sensörde bir tık daha dah olacaktır ve 70 e eşdeğer bir açısı olacaktır ki crop makineler için üretilmiş bir lens zaten oğtik kalitesi çok hoş sadece f1.8 de biraz kromatik aberasyon oluşuyor f2.5 e kıstığınızda düzeliyor hızlı sessiz bir lens (stm motoru sayesinde)
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This is a fantastic portrait lens. Been using for head shots, pics of my nieces and nephews, pet pictures, and some product photography. Super clear. Using on canon 90d which has 1.6 zoom factor so this lens acts more like an 80mm on my camera so you have to step back from the subject a decent amount, but still great to shoot with once you get used to it! Highly recommend for beginner lens
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Amazing lens. It is pretty wide so you don't have to move around. At 2.8 with high ISO, its good at night time also. Silent focusing compared to 50mm 1.8. And its very thin! I use it on a 5D, and its much better compared to the 50 mm 1.8. At night I sometimes miss the 1.8, but then the focusing is much faster on this, and silent as well, so in all, its a nicer buy. Plus with high ISOs, you are usually Ok. There is more noise, but then the added convenience is a good tradeoff. For a full frame, its a very sweet deal. Pictures are sharp, colours are great. I am getting peanuts for the 50mm, so I still use it sometimes when I know I would need the 1.8 but those occasions are becoming less and less.
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A brilliant lens for anyone looking to up their photography game! Every photo you take with this lens between an aperture range of 1.8 to 3.2 will have the nice depth of field which makes the subject pop in any image. I had to do photography for my cousin's engagement and all I had in my arsenal were a Canon SL2/200D (crop sensor), 18-55mm Kit lens (28-80mm in crop sensor) and a 75-300mm telephoto lens (120-480mm in crop sensor). I knew very well that these lens and camera combination were not the best for a event photography. (trust me! I've tried! The results were not so great) and I was sceptical about renting lenses as I could not be as light headed as I usually am with my own lenses. So, I ordered the 50mm f/1.8 lens on 26th April, 2019 and got it on 27th April, a day before the engagement ceremony (Kudos to Amazon delivery). I tested the lens a day before the engagement and on the day of the engagement, 90% of the photoshoot was done with the 50mm prime lens with 18-55mm lens used only for wide angle group shots. The absence of image stabilisation is not an issue as the lens is light in weight. So, yes, the nifty fifty is a one size fits all kind of lens. However, my camera had a crop sensor (1.5~1.6X), which means the 50mm was actually giving me the field of view of an 80mm focal length. This meant that I had to physically move around a bit to get the framing right. If you have a full frame camera, 50mm would have the field of view of a 50mm. This field of view difference had me over thinking about whether to buy the 24mm f/2.8 (38mm in crop sensor) or the 50mm f/1.8. I finally pulled the plug on the 24mm, bought 50mm because of the 1.8 aperture and decided to compromise on the field of view. Also, the 50mm STM had 7 aperture blades which meant the bokeh would be nearly rounded. In the end, the pictures came out great and had that 'Professional Photographer Click' look to it, everyone loved it. This made the investment totally worth it. The only drawback with this lens would be the auto focus. While it is silent because of the STM motor, it is not the fastest. I did the entire day's photoshoot with Manual focus and the results were really good. So, I would suggest that you use this lens with manual focus only. So, in conclusion, if you are person who wants a relatively inexpensive lens with nice bokeh and depth of field, this lens is just hard to beat. (I will not be sharing photos from the engagement to protect the privacy of the people involved. But, I will share some unedited sample photos to give you an idea about the quality you get from the 50mm prime lens.)
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